Phyllida Barlow, baublepaint2017 (3), acrylic on watercolor paper, 22 x 30 1/4 inches, 2017. For her, sketches provide an intensely creative release of ideas and a tool for beginning to map out larger works: The gallery is now open at limited capacity. Drawing provides Barlow with the freedom to improvise and engage directly with materials. The exhibition in Zurich coincides with Barlow’s major survey show at Haus der Kunst in Munich, opening on the 10 March 2021. She creates tactile, seemingly precarious sculptures that resonate with emotional intensity and the urgency of their creation. Barlow studied at Chelsea College of Art (1960–63) and the Slade School of Art (1963–66). After joining the staff in the late 1960s, Barlow taught at the Slade School of Art for more than forty years before retiring in 2009 and is now Emerita Professor of Fine Art. Inspired by the urban environment, Barlow’s sculptures marry unconventional materials such as cardboard, plywood, plaster, and cement with vibrantly colored paint and fabrics. September 18, 2020 Since the late 1960s, the British-born artist Phyllida Barlow has experimented with non-traditional, modest materials like cement, fabric, plaster, plywood, and metal to create colossal sculptures and installations that occupy, challenge, and interrupt physical spaces. See more ideas about barlow, artist, sculpture installation. Phyllida Barlow’s first solo exhibition at Hauser & Wirth Zürich, ‘small worlds’, features new sculptures, drawings and wall-works made by the artist during and inspired by the 2020 lockdown in London. Barlow studied at Chelsea College of Art in London from 1960 to 1963 and Slade School of Fine Art in London from 1963 to 1966. She works across media, using pencil, acrylic, and watercolor, always with the intense physicality evident in her sculptural work. An always-on video channel featuring programming hand selected by Art21, Curated by Art21 staff, with guest contributions from artists, educators, and more, Explore over 700 videos from Art21's television and digital series. In July 2014, Barlow will present ‘GIG’, the inaugural exhibition at Hauser & Wirth Somerset, England. Her drawings from the 1970s are characterised by a move towards abstraction as Barlow depicts in pencil lozenges, arcs and lumps of varying bulk. Consistent with her sculpture, Barlow’s drawings make bold use of vibrant colour as a means of expression. For more than 50 years, British artist Phyllida Barlow has taken inspiration from her surroundings to create imposing installations that can be at once menacing and playful. Researching the place of drawing and work on paper in contemporary art since 2008. At the 2017 Venice Art Biennale, the British Pavilion presents Folly, a site-specific sculptural installation by Phyllida Barlow. Recent group shows include ‘Carnegie International 2013′, Carnegie Museum of Art, Pittsburgh PA (2013); La Biennale di Venezia,’55th International Art Exhibition: The Encyclopedic Palace’, Venice, Italy (2013); ‘The Best of Times, The Worst of Times – Rebirth and Apocalypse in Contemporary Art’, The First International Kiev Biennale, Kiev, Ukraine (2012); ‘Before the Law’, Museum Ludwig, Cologne, Germany (2011); ‘Sculptural Acts’, Haus der Kunst, Munich, Germany (2011); ‘Displaced Fractures’, Migros Museum für Gegenwartskunst, Zurich, Switzerland (2010). Phyllida Barlow . The view ranges over these landscapes made of everyday materials, unsure what to hold on to, and drifts up to grasp their enormous dimensions. See available sculpture, works on paper, and paintings for sale and learn about the artist. Text by Alastair Sooke, … Phyllida Barlow is a central figure in the development of Contemporary British Sculpture; she has not only had major exhibitions throughout the UK but through her extensive teaching career, at Slade School of Fine Art, has guided and influenced many younger artists yet, until now, none of her work has been acquired for public collections in this country. Best-known for her colossal sculptural projects, drawing is an integral part of Barlow’s practice; she draws before, during and after creating sculptures, both as a means of developing a working process and to visualise ideas which are later translated into three dimensions. She lives and works in London. This sculptural understanding of the world permeates her drawings which exhibit a ‘breaking-down’ of space. The resulting works are fluid and dynamic. Phyllida Barlow was born in Newcastle upon Tyne. Art21 is a 501(c)3 non-profit organization; all donations are tax deductible to the fullest extent of the law. The gallery is now open at limited capacity. Look for the plus icon next to videos throughout the site to add them here. Courtesy Hauser & Wirth In addition to these large-scale sculptural installations Barlow also was a creative painter, though she herself ascribed them as ‘sculptural drawings’. Phyllida Barlow is one of the best-known sculptors working in the UK and has had major international shows, including representing Great Britain at the Venice Biennale in 2017. The exhibition in the pavilion is, as usual, commissioned by the British Council through its Visual Arts Director, Emma Dexter . Barlow employs commonplace materials—wood, plaster, concrete, cardboard, and strips of colorful cloth or tape—in extraordinary, monumental, ramshackle, hand-built structures that expound a dizzying array of novel sculptural forms. Barlow’s recent solo exhibitions include ‘HOARD’, Norton Museum of Art, West Palm Beach FL; ‘Scree’, Des Moines Art Center, Des Moines IA (2013); ‘… later’, Hauser & Wirth New York NY (2012); ‘Phyllida Barlow: siege’, New Museum, New York NY (2012); ‘BRINK’, Ludwig Forum, Aachen, Germany (2012); ‘Phyllida Barlow: Bad Copies’, Henry Moore Institute, Leeds, England (2012); ‘RIG’, Hauser & Wirth London, Piccadilly (2011); ‘Cast’, Kunstverein Nürnberg, Nuremberg, Germany (2011); ‘STREET’, BAWAG Contemporary, Vienna, Austria (2010); and in 2010, she was in the critically acclaimed two-person show at the Serpentine Gallery, London, England with Nairy Baghramian. Phyllida Barlow's cul-de-sac showcases an entirely new body of work at the Royal Academy of Arts located in the contemporary art galleries, The Gabrielle Jungels-Winkler Galleries, which will be open until 23 June 2019. 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